JVC Unveils New CONNECTED CAM Studio Camera

With an advanced communications engine that optimizes both image processing and IP performance, the GY-HC900ST brings new levels of connectivity to studio cameras. JVC will demonstrate the full line of CONNECTED CAM products at the 2018 NAB Show New York (Booth N333), which runs Oct. 17-18 at the Jacob K. Javits Center in New York City.

Based on the new GY-HC900 CONNECTED CAM model, the GY-HC900ST features three 2/3-inch CMOS sensors for 10-bit, full HD imagery, and delivers excellent sensitivity (F12 at 60Hz, F13 at 50Hz in extended mode). The camera is also equipped with an industry standard B4 lens mount and four-position optical filter. A 3.5-inch LCD panel provides menu navigation, while an optional LCD monitor can be mounted as a studio viewfinder.

JVC_GY-HC900ST

While the GY-HC900ST offers dual 3G-SDI outputs and an HDMI output, the camera has been designed to integrate seamlessly with JVC’s FS-900 camera module for fiber-based studios. The module attaches to the camera via a 68-pin interface, and feeds 3G‑SDI signals, control, audio, sync, and intercom to the JVC Base Station. With built-in gigabit Ethernet, the 2 RU Base Station supports up to three cameras and provides video-over-IP functionality for an elegant and affordable studio solution.

“We have been very encouraged by the amount of interest CONNECTED CAM has gained since we launched it at NAB earlier this year,” said Joe D’Amico, vice president, JVC Professional Video. “When customers saw the amazing picture quality and very competitive pricing, they began requesting a studio model almost immediately. CONNECTED CAM brings affordable 2/3-inch imagery to broadcasters and other multi-camera studio facilities.”

Beyond traditional studio operation, the GY-HC900ST supports a complete IP workflow, including streaming performance up to 20 Mbps with low latency (less than 500ms). When paired with an optional ProHD Bridge cellular uplink, the camera offers simultaneous decoding for return video and IFB, which eliminates the need for an additional IFB system. Plus, camera functions can also be controlled via web browser or the JVC RM-LP100 remote camera control.

Dual SDHC/SDXC media ports provide on-board ISO recording of both MPEG-2 at up to 35 Mbps, which is widely used by broadcasters, and H.264 (.MOV), which provides production quality 10‑bit, 1080/60p 4:2:2 footage. For creative flexibility, the GY‑HC900ST also offers an HDR mode (hybrid log gamma) and up to 120fps 1080p slow-motion recording. Other features include a genlock input, time code in/out, three XLR audio inputs, Ethernet and USB ports, wireless audio module slot, and an additional slot for future expansion.

Cobalt Digital at the 2018 NAB Show New York

9904-UDX-4K-12G UHD 12G/3G/HD/SD-SDI Up/Down/Cross-Converter

CobaltDigital-9904-UDX-4KAt the 2018 NAB Show New York, Cobalt will demonstrate the 9904-UDX-4K-12G UHD 12G/3G/HD/SD-SDI up/down/cross-converter, which is now shipping. The 9904-UDX-4K-12G is Cobalt’s latest generation of advanced image and audio processors for the openGear® platform. The base card provides quad 3G-SDI and 12G-SDI I/O with SDI muxing and demuxing and up/down/cross-conversion. Options include RGB color correction and SDR-to-HDR up-mapping via Technicolor’s HDR Intelligent Tone Management (ITM) processing.

9971-MV18-4K Multiviewer

Also on display at the 2018 NAB Show New York will be Cobalt’s new 9971-MV18-4K series of openGear® multiviewers. These multiviewers support the latest signal types with a high-density modular design that can be expanded as required. The MV18 is equipped with 18 4K 12G-SDI auto-detect inputs, which can be scaled as needed across a full 3840×2160 UHD raster output.

9992-ENC-4K-HEVC H.265 UHD Streaming Encoder

The 2018 NAB Show New York will be the stage for Cobalt’s new 9992-ENC-4K-HEVC H.265 Streaming Encoder for openGear®. The platform supports quad 3G-SDI and 12G-SDI inputs and is also configurable as a multichannel encoder (up to four channels) for 1080p60 signals and below using MPEG-2, H.264, or HEVC, with all channels using the same compression standard.

OG-PC Computer Card

The new Cobalt Digital OG-PC is an x86 computer on an openGear® card. Representing a unique approach to terminal gear system design, the OG-PC takes full advantage of the redundant power and cooling features of the openGear frame. Meanwhile, the card’s modular form factor saves on rack space by replacing bulky 1RU PCs. This innovative new product will be on display at the 2018 NAB Show New York.

9914DA-4Q-12G Distribution Amplifier

Cobalt will introduce the new 9914DA-4Q-12G distribution amplifier designed for SMPTE ST-2082 single-wire UHD signal replication and transmission. Similar in design to the popular 9910DA-4Q-3G products, the unit is highly configurable and supports quad 1×4, dual 1×8, or full 1×16 modes of operation.

 

JVC Expands Connected Cam Lineup with New 500 Series of Handheld Cameras

The three new cameras – the GY‑HC500 base model, GY‑HC550 with advanced streaming and graphics, and GY-HC500SPC sports production camera – will be introduced at NAB Show New York (Booth N333), which runs Oct. 17-18 at the Jacob K. Javits Center in New York City.

JVC-GY-HM500_GY-HM500SPC
GY-HM500/GY-HM500SPC

Connectivity remains at the core of JVC’s IP-based production solutions, and CONNECTED CAM models are designed to optimize both image processing and IP performance. Designed for live IP production and high-quality 4K acquisition, the new 500 Series cameras can record to SSD (solid state drive) media in a wide variety of formats, including 10-bit ProRes 422 at 4K resolution and 50/60p frame rates. A number of other codecs and recording formats are also available including H.264 and MPEG-2, ensuring a wide range of workflows can be supported.

All three 500 Series cameras also include dual SDHC/SDXC media card slots with redundant, relay, backup, and proxy recording modes. Users can choose economical SD memory for excellent results or SSD for uncompromised production quality recording – or record to SSD in 4K while simultaneously recording HD or proxy files to SD media. Any or all clips can be uploaded via Auto FTP during production.

For reliable 1080p streaming performance up to 20 Mbps, the 500 Series features SMPTE 2022 forward error correction. When paired with any ProHD Bridge product, all models provide bi-directional live streaming with low latency (less than 500ms) and return video and IFB. The GY-HC550 also includes dual external antennas with built-in wireless LAN, integrated GPS, and Zixi™ error correction with automatic repeat request (ARQ).

JVC-GY-HM550
GY-HM550

The 500 Series cameras are built around a new 1-inch 4K CMOS imager and integrated 20x zoom lens with three-ring control and built-in ND filters. When shooting in HD, lossless 40x dynamic zoom is possible. The cameras can achieve up to 12 stops of dynamic range with high sensitivity and low noise. Users can record HDR footage in the HLG (hybrid log gamma) mode or 10-bit J-Log mode, which expands dynamic range by 800 percent with film-like latitude. Plus, the cameras record in a variety of native 4K UHD and HD file formats, and support 120 fps slow-motion HD recording. The GY-HC550 adds MPEG-2 and MXF recording as well.

“No other competing 1-inch camcorder in this category comes close to our connectivity. The new 500 Series delivers a complete production-over-IP workflow solution in a compact form factor,” said Joe D’Amico, vice president, JVC Professional Video. “With the GY‑HM550, stations can deliver live coverage of breaking news in the field without a satellite or microwave truck, and then provide single-camera live coverage of regional sporting events complete with graphics without a mobile production unit. For coaches, the GY‑HM500SPC provides stunning 4K/60p images with DV Sport and XOS Digital compatibility for more critical video analysis.”

Both the GY-HC550 and GY-HM500SPC include integrated lower-third and full-screen titling options for recorded or streamed video output without an external CG. The GY‑HC500SPC also offers professionally designed, high-resolution score overlays for a number of sports, and users can add logos or icons to customize graphics. Camera operators can update scores using a Wi-Fi connected smartphone or tablet, or receive real-time data automatically in venues where a Sportzcast Scorebot is integrated with the scoreboard.

Other 500 Series features include a four-inch, high resolution LCD screen for menu navigation, LCOS viewfinder, dual XLR inputs, 3G-SDI and HDMI video outputs, M.2 drive slot for external SSD recording and future enhancements, and IPX2 water resistant rating for operation in inclement weather. The cameras are expected to ship in January 2019, with MSRP starting at $3,900 for the GY-HC500.

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AIMS Partners With AES on New Audio-Over-IP Technology Pavilion at AES New York 2018

The Alliance for IP Media Solutions (AIMS) today announced that it will join forces with the Audio Engineering Society (AES) to host the first Audio-Over-IP Technology (AoIP) Pavilion at AES New York 2018, co-located with the 2018 NAB Show New York at the Jacob K. Javits Center in New York City, Oct. 17-19. The AoIP Pavilion will consist of six demo pods, an AIMS demonstration area, and a Pavilion Theater, all of which will highlight the latest in AoIP technology and compatibility, including AES67 and associated technologies as they relate to SMPTE ST 2110.

Seventeen AIMS members will participate in the AoIP demonstration area, which will show a wide range of IP audio devices that will include compatibility between AES67 and SMPTE ST 2110. The demo will consist of three racks of fully interoperable audio equipment exchanging IP streams.

The Pavilion Theater will offer a range of educational presentations from representatives of industry groups and leading manufacturers, mostly AIMS members. The presentations will cover topics such as the basics of AES67; the relationships between AES67 and SMPTE ST 2110; IP audio-stream monitoring; the anatomy of a full-stack implementation; and successful real-world deployment. The Pavilion Theater’s 30-minute presentations will run continuously throughout the three days of the AES convention and will be available for free to all attendees of both AES New York 2018 and the 2018 NAB Show New York.

“AIMS and AES created this pavilion because we recognize the growing importance of media networking in the pro audio and broadcast industries,” said Michael Cronk, AIMS board chair. “Whether you deal with networked audio for broadcast and streaming, live sound, or studio recording in any number of applications, everyone from audio networking novices to experienced audio and networking engineers will walk away from the AoIP Pavilion with valuable insight into media networking from many of the leading experts in this field.”

The AoIP Pavilion will also include six individual demonstration pods, four of which will be occupied by AIMS members ALC NetworX, Riedel Communications, Studio Technologies, and The Telos Alliance. Several of the pods will be connected to the main AIMS demonstration area, providing a live demonstration of audio networking over IP.

Companies participating in AIMS demonstration area are:

  • ALC NetworX
  • Archwave
  • Artel Video Systems
  • DirectOut
  • Focusrite Audio Engineering
  • Genelec
  • Lawo
  • Luminex Network Intelligence
  • Meinberg
  • Merging Technologies
  • Riedel Communications
  • Solid State Logic
  • Studio Technologies
  • The Telos Alliance
  • Ward-Beck Systems
  • Wheatstone Corporation
  • Yamaha

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